Ancient Narrative: Supplementum 1 Space in the Ancient Novel by Michael Paschalis; Stavros Frangoulidis (ed.)

By Michael Paschalis; Stavros Frangoulidis (ed.)

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34 MARTIN M . WI NKLER tional and stereotypical 1950s role, and determinedly emancipates herself from husband and kitchen. ) While she is in the process of discovering her erotic self in the bathtub, she begins to see her surroundings in color. Soon after, she leaves behind her black-and-white existence for good and turns into color herself. it gives rise to a whole new world of nuance and beauty that’s nonsexual…. Although Ross does not name Plato here, he might as well have done so, because his words are clearly in the tradition of Platonic philosophy.

Sacred Narrative: Readings in the Theory of Myth. Berkeley, Los Angeles, and London: University of California Press. de España, Rafael. 1998. El Peplum: La Antigüedad en el Cine. Barcelona: Glénat. Faulx, Jacques. 1969. ” Otia 17: 18–22. Forster, E. M. 1927. Aspects of the Novel. Rpt. d. [1985]. Frazer, Sir James. 1918. Folklore in the Old Testament: Studies in Comparative Religion, Legend and Law. 3 vols. London: Macmillan. Jäger, Michael. 1990. Die Theorie des Schönen in der italienischen Renaissance.

1997. The Fate of Place: a Philosophical History, Berkeley: University of California Press. Caven, B. 1990. Dionysius I: War-lord of Sicily, New Haven: Yale University Press. Clarke, K. 1999. Between Geography and History: Hellenistic Constructions of the Roman World, Oxford: Oxford University Press. Corbato, C. 1968. ‘Da Menandro a Caritone. Studi sulla Genesi del Romanzo Greco e i suoi Rapporti con la Commedia Nuova’, Quaderni Triestini sul Teatro Antico 1, 5-44. de Souza, P. 1999. Piracy in the Greco-Roman world, Cambridge: Cambridge University Press, 185-195.

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