Business And Legal Forms for Fine Artists (3rd Edition) by Tad Crawford

By Tad Crawford

• 22 convenient kinds on CD-ROM to fulfill artists’ wishes, with instructions• Protects artists’ rights• Replaces ISBN 1-58115-031-8The 3rd variation of this eminently important e-book comprises new kinds for advertisement rent, sublease, and hire task, plus: agreement for the sale of an paintings, agreement for a fee, delivery-of-art affirmation shape, agreement for an exhibition mortgage, version unencumber, and lots more and plenty extra. each one shape comprises step by step directions, recommendation, and distinct negotiation checklists for making the simplest deal attainable. A handy CD-ROM shall we dealers customise and print their types from any laptop or Mac. each positive artist wishes a duplicate of this extraordinary advisor!

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Additional resources for Business And Legal Forms for Fine Artists (3rd Edition)

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Paragraph 4) ❏ Require return of the artworks to the artist at ❏ Give the artist a security interest in the artworks to protect against claims by creditors of the recipient. Security interests are reviewed under Other Provisions for Form 1. ❏ Review the standard provisions in the introductory pages and compare with Paragraphs 7–8. the expense of the recipient. (Paragraph 4) ❏ Require recipient to pay for the transportation from the artist to the recipient. An abbreviated form of the Schedule of Artworks for Form 6 appears below.

Photographing Work................................................................................ Party for opening..................................................................................... Shipping to purchasers........................................................................... Transporting Work back to the Artist (including insurance and packing)......... All other expenses arising from the exhibition........................................ 45 BLF Fine Artists 001-100 8/31/05 8:21 PM Page 46 BUSINESS AND LEGAL FORMS FOR FINE ARTISTS No expense which is to be shared shall be incurred by either party without the prior written consent of the other party as to the amount of the expense.

However, the artist must check on a state-by-state basis to determine the status of the law. One way to do this is to contact the nearest group of volunteer lawyers for the arts. Insofar as possible, the artist must verify that the gallery is stable financially. Of course, it can be difficult to know what goes on behind the scenes at an apparently successful enterprise. But late payments to other artists or suppliers certainly suggest economic difficulty. In any case, one might want to obtain a security interest in the work in order to have a right to the work even if the gallery does go bankrupt.

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